Edited books
Bayley, A. Ed. (2010) Recorded Music: Performance, Culture and Technology including a chapter on Multiple Takes: Using Recordings to Document Creative Process (pp. 206-224). Cambridge University Press, Cambridge. ISBN: 978-0-521-86309-4.

Bayley, A. Ed. (2001) The Cambridge Companion to Bartók including a chapter on The string quartets and works for chamber orchestra (pp. 151-174). Cambridge: Cambridge University Press. ISBN: 0-521-66958-8

Software DVD
Bayley, A. and Clarke, M. (2011) Evolution and collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet. PALATINE. ISBN: 978-0-956-02044-4  Click here to order a free copy.

Book chapters
Bayley, A. (forthcoming, 2017) Cross-cultural Collaborations with the Kronos Quartet. In: Clarke, E. and Doffman, M., eds. Creativity, Improvisation and Collaboration: Perspectives on the Performance of Contemporary Music. Oxford and New York: Oxford University Press.

Bayley, A and Dutiro, C (2016) Developing Dialogues in Intercultural Music-making. In: Burnard, P and Mackinlay, E and Powell, K, eds. The Routledge international handbook of intercultural arts research. London and New York: Routledge, pp. 391-403. ISBN 9781138909939

Bayley, A. and Heyde, N. (2013) Interpreting indeterminacy: filming Lutosławski’s String
Quartet. In: Mantzourani, E., ed. Polish Music Since 1945. Kraków: Musica Iagellonica (pp. 228-243). ISBN: 978-83-7099-185-2

Bayley, A. (2007) The Nature of Expressivity in Berio’s Sequenza VI. In: Halfyard, J. K., ed. Berio’s Sequenzas. Ashgate, Aldershot (pp. 233-254). ISBN: 978-0-7546-5445-2

Journal articles
Bayley, A. and Heyde, N. (forthcoming, 2016) Communicating through notation: Michael Finnissy’s Second String Quartet from composition to performance. Music Performance Research. ISSN 1755-9219

Bayley, A. and Lizée, N. (2016) Creative layers and continuities: a case study of Nicole Lizée and the Kronos Quartet. Musicae Scientiae, 20 (3). pp. 392-412. ISSN 1029-8649

Bayley, A. (2011) Ethnographic research into contemporary string quartet rehearsal. In: Ethnomusicology Forum Vol 20 Issue 3, pp. 385-411. DOI: 10.1080/17411912.2011.645626

Bayley, A. (2010) Enquête sur la genèse du Deuxième quatuor à cordes de Michael Finnissy. In: Genesis: Revue Internationale de Critique Génétique, Vol 31, pp. 37-54. ISBN: 978-2-84050-711-6

Bayley, A. and Clarke, M. (2009) Analytical Representations of Creative Processes in Michael Finnissy’s Second String Quartet. In: Journal of Interdisciplinary Music Studies Vol 3, Issues 1-2, pp. 139-157. ISSN: 1307-0401.

Bayley, A. (2000) Analysis of  Bartók’s String Quartet No.4, third movement: a new interpretative approach. In: Music Analysis Vol 19, Issue 3, pp. 353-382.

Conference proceedings
Bayley, A. and Clarke, M. ‘Analysing Michael Finnissy’s Second String Quartet: A Multimedia Interactive Approach’, in Christian Utz (ed.), Music Theory and Interdisciplinarity8th Congress of the Gesellschaft für Musiktheorie Graz 2008 (musik.theorien der gegenwart) 4, (2010), pp. 319-334.